minimalist poster design — Silhouette, with oversized title and stacked lines

A minimalist drama movie poster sets a huge off-white circle against solid black, holding the small black silhouette of an adult female circus rider standing on a rearing horse at its center, with an ornate white script "TITLE" below. The black background fills the frame edge to edge, a deep matte void. The great pale circle dominates the upper two-thirds, its edge rough and brushy like a hand-painted spotlight, slightly irregular and textured. In the upper-left quadrant of the circle, the off-white ground is empty and still. In the upper-right quadrant, the same blank paper tone continues, faintly mottled. At the center of the circle, the horse rears up on its hind legs, its front legs tucked, neck arched, mane and tail rendered as rough black brushstrokes. Standing balanced on the horse's back, the adult woman holds both arms outstretched to the sides in a performer's pose, her long hair streaming behind her. She wears a fitted dark bodice and a short flared skirt like a circus costume, her legs straight and together, her chin lifted. The silhouette is pure black, small against the vast pale disc, every edge slightly rough as if cut from ink. Below the horse, a few scattered black specks suggest dust kicked up from the ring floor. In the lower-left area of the black field, outside the circle, only darkness remains. In the lower-right area, the black is equally empty, save for a few tiny white flecks of grain. Across the lower third of the frame, the "TITLE" unfurls in large flowing white calligraphy, its letters tall and looping with extravagant swashes. The script forms three stacked words in ornate cursive, the first and third words largest, the middle word small and centered, with long flourishes trailing beneath. At the very bottom edge, the final flourish of the script curls into a decorative spiral against the black. The lighting is graphic rather than naturalistic: the pale circle glows like a single harsh spotlight in a dark circus tent, the black silhouette absorbing all light, with no gradients or shadows beyond the flat contrast of ink on paper. The composition is radically simple, the tiny centered rider-and-horse lost in the enormous pale disc above the sweeping calligraphic title; the palette is reduced to ink black and aged paper white; the style is stark mid-century art-house minimalism; and the mood is lonely, poetic, and faintly melancholic.