vertical typography — Serif · Symmetrical · Diagonal · Overlapping Elements

A horror movie poster split into two stacked adult faces against a scratched black background, set around a pale white title in the middle. The upper face fills the top half: an adult woman with long dark hair and startling pale blue eyes, her desaturated face lit harshly from the front. In the upper-left corner, thin white scratches scar the black background like claw marks. Her expression is gaunt and haunted, lips closed, cheekbones sharp under the flat light. On the right side of the frame, thin scratches continue down the black field in faint diagonal trails. Across the center band, a wide title ("TITLE") sits in tall thin white serif capitals, widely letterspaced, overlapping both faces. In the middle of the title, a small glowing tree emblem burns with a soft white flare, its branches delicate and symmetrical. The lower face emerges from the bottom half: an adult woman in her thirties with long dark hair and pale blue eyes peering over a deep blue surface. In the lower-left corner, the pale hands of an adult woman grip the edge of the blue surface, fingers curled over the rim. In the lower-right corner, a second hand of the adult woman presses flat against the blue, its fingers splayed. On the blue surface near the center, a tiny green glass bottle lies on its side beside a small pale shell-like figurine. In the bottom-center, the blue surface meets the black in a soft curved edge. The blue surface glows faintly, its texture like worn velvet catching the light. The lighting is a harsh frontal flash on both faces against total darkness, bleaching skin to near-white while the blue surface below emits a cool luminous sheen and deep shadows swallow the edges. The gaze of the lower face is wide and unblinking, fixed directly on the viewer. The adult woman's eyes mirror the same icy blue, creating an uncanny doubled stare. The scratches in the background catch faint highlights, thin white lines over the black. The green bottle is translucent, its stopper dark, its tiny form dwarfed by the looming faces. The shell figurine is bone-white with a ridged spiral and a single painted eye. No bodies are shown; only faces and hands float in the black. The title's thin serifs glow faintly against the dark, the tree emblem's flare bleeding over the central letters. Overall, the two stacked faces mirror each other across the central title in a stark vertical symmetry, the black, bone-white, and spectral blue palette rendered in a bleak desaturated photographic style with a mood of cold, inescapable dread.