ensemble poster design — Oversized title with single figure at the bottom

A cinematic movie poster of three adult figures standing against a graphic red-and-white background, rendered in a photorealistic key-art style. In the upper half, the background splits into bold diagonal panels: off-white cracked plaster on the outer edges and deep red photographic scenes crossed by thin white lines radiating from the center. In the upper-center panel, a red-tinted street scene shows rows of old brick buildings lining a cobbled road, a flag flying from a pole, and a tiny silhouetted adult man walking away with a suitcase. The central figure, an adult man in his thirties, dominates the middle of the frame, wearing a dark gray fedora, round wire-rimmed glasses, a dark wool overcoat, and a tie, his face lit and looking directly forward. In both hands at waist level he holds a dark notebook and a pen, his fingers resting on the cover. On the left side, a second adult man with slicked-back hair and a gaunt face wears a dark pinstripe suit, white shirt, and dark tie, his hands clasped in front of him, standing slightly behind the central figure. On the right side, an adult woman with wavy blonde hair looks back over her shoulder, wearing a textured crimson top and a dark skirt, her body half turned away. Across the middle of the frame, a large distressed white uppercase title reads "TITLE", the letters rough-edged and grungy, overlapping the figures' chests. The letter "O" in the second word is replaced by a circular emblem bearing a hammer-and-sickle-like symbol, rendered in the same distressed white. In the lower-left panel, the red background carries a crowd of small dark figures in vintage clothing, and at the very bottom a lone body lies face down on the ground, rendered as a dark shape in the red haze. The lower-right area fades into soft off-white plaster texture with fine cracks. The red tone bleeds across the edges of the figures, tinting the woman's top and the central man's coat with crimson. The lighting is frontal and dramatic, modeling the three faces with soft key light while the red background glows from behind, and subtle shadows anchor the figures against the graphic backdrop. The composition balances the three centered portraits against the sharp diagonal red panels and small background vignettes, in a palette of blood red, charcoal black, off-white plaster, and muted gray, rendered in a photorealistic key-art style with a somber, ominous mood.