collage poster design — Oversized title with extreme close-up on the right

A photographic spy-thriller movie poster is built as a collage of slanted panels separated by thin black gaps, the panels tilted diagonally across the frame. Dominating the upper-left two thirds, an extreme close-up of an adult man with dark slicked-back hair and a neat mustache fills the panel, his green eyes looking toward the right edge with a grave expression. He wears a dark suit, white shirt, and dark tie, and the shallow-focus background behind him dissolves into soft teal and white bokeh. In the upper-right corner, a smaller slanted panel shows an adult woman with dark wavy hair in a tweed jacket, seated inside a car and gazing out the window. Below her, another tilted panel shows a weathered paper map marked with the readable city labels "MOSCOW", "LONDON", and "WASHINGTON", with curved arrows and star icons tracing routes between them. Cutting diagonally across the middle of the poster, a wide red band carries a large bold condensed uppercase "TITLE" in off-white, the letters tilted to follow the band's diagonal. In the lower-left corner, a narrow panel shows the profile of a bald adult man in a suit looking toward the left edge. Near the bottom center, a panel holds scattered black-and-white technical documents and blueprints, their fine lines and diagrams visible but too small to read. To the right of the documents, a small panel shows an adult man in a dark suit carrying a briefcase, walking alone across a grand checkered marble hall. In the lower-right area, a large panel shows a blonde adult woman in profile holding an old black rotary telephone receiver to her ear, her expression tense. At the far right edge, a narrow panel shows an adult man in a suit boarding an airplane, beside partially visible Cyrillic lettering on the fuselage. No billing block or other legible text appears; the small document text is blurred and unreadable. The lighting is moody and low-key, with soft directional light modeling the faces, deep shadows pooling in the black panel gaps, and a cool desaturated grade over the photographic images. The red title band glows against the surrounding darkness, its off-white letters crisp and high-contrast. Overall, the composition balances the giant looming portrait against the fragmented slanted vignettes, in a palette of deep black, desaturated teal, and a single striking band of crimson rendered in modern photographic collage style, and the mood is one of tense Cold War-era intrigue.