ensemble poster design — Centered Group · Oversized Title · High Contrast

An Australian horror poster of three women in a decaying house, a distressed white title at the center. The background is moldy teal walls. At the top, white taglines read "TAGLINE"; festival laurels. In the center, three adult women: an old woman seated, a middle-aged woman standing, a young woman in orange standing, all pale, staring. White taglines read "TAGLINE"; billing text names the cast. At the center-right, the title appears as large white distressed characters reading "TITLE", the texture rotting; below, white English letters read "TITLE"; a dense strip of tiny credit text. At the bottom, the release line "8/7" in white with the tagline "人見人駭" beneath it. The lighting is sickly and green, the mold spreading. The overall composition stands the three generations in the rot around the decaying white title, joining a mold-teal, sweater-orange, and white palette in a dreadful photographic style that feels rotten, maternal, and inescapable, Relic. The mold is the house. The three are the generations. The stare is the dementia. The distressed title is the relic. The relic is the home. The home is the 2020. The poster is a room. The room is the mind. The old woman's white hair is thin. Her stare is blank. Her cardigan is cream. Her hands fold. The middle woman's dark hair is shoulder-length. Her black blazer's floral is dark. Her hand rests on the chair. The young woman's blond bob is straight. Her orange sweater is loose. Her jeans are blue. The mold's black spreads. The teal walls' paint peels. The armchair's brown is worn. The distressed title's rot is textured. The English below is white, small. The tiny credits' wall is gray. The white date's numbers are bold. The tagline's horror is the pun. The festival laurels' gold is small. The composition's stand is the 2020. The 2020 is the Australian. The Australian is the James. The James is the Natalie Erika. The Natalie Erika is the horror. The horror is the house. The house is the mother. The mother is the Edna. The Edna is the old. The old is the Kay. The Kay is the middle. The middle is the Sam. The Sam is the young. The young is the relic. The relic is the poster. The mold spreads, and the women stare. The 2020 is the house. The house is the mind. The relic is the rot. The rot is the love. Stay.