ensemble poster design — Bottom title with group, serif lettering

A horror movie poster is sliced into five narrow vertical panels, each revealing a fragment of an adult woman's face against near-black backgrounds. The panels butt edge to edge with thin dark seams across the full height of the frame, forming one continuous but fractured portrait. In the center panel, an adult woman in her twenties with straight black hair and bangs stares directly forward, her expression fearful and breathless. A vintage black telephone receiver presses against her cheek at the right edge of the center panel, her fingers curled around it. In the leftmost panel, half of the same woman's face appears in deep shadow, one dark eye glinting as she holds the receiver to her ear. Her hand and a striped black-and-gray shirt are visible in the lower portion of the leftmost panel. In the second panel from the left, a bloodied adult hand grips a kitchen knife with a dark red-stained blade near her chest. The same striped shirt continues across the second panel, its horizontal stripes aligning with the neighboring panels. In the fourth panel, half of a smiling face with a bruised, dirtied cheek appears, one eye crinkled in an unsettling grin. In the rightmost panel, a stern-faced adult woman with grime and blood on her skin glares to the left, a curved blood-stained blade arcing across her cheek. The striped shirt pattern runs continuously behind all five faces, unifying the fractured layout. The telephone cord trails downward out of the leftmost panel. A faint teal haze hangs in the background of the center panel. The vertical seams cut through eyes and mouths, heightening the disorientation. Dust motes drift in the dim light of the center panel. Near the bottom of the frame, a small widely letterspaced white title line reads as "TITLE", and below it four enormous distressed white serif capitals stretch across the full width, also reading as "TITLE". The lighting is low-key and grimy: a dim frontal glow models the central face while the outer panels fall into murky shadow, with sickly highlights glinting off the blades and the blood, and the background swallowed by near-black darkness. The palette is dominated by near-black, ash-gray, and desaturated teal, with the grimy skin tones and dark red blood providing the only warmth. The striped fabric, blood texture, and skin pores are rendered in sharp photorealistic detail. Overall, the five fractured panels balance the fearful center face against the bloodied outer fragments in a near-black, ash-gray, and teal palette, in a gritty photorealistic horror style steeped in a mood of fractured menace.