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#L1019

minimalist poster design — Condensed yellow title on red field over torn split portrait

L1019 · minimalist poster design — Condensed yellow title on red field over torn split portrait. Explore the reference image and prompt, then open this composition in the layout tool.

L1019 · Condensed yellow title on red field over torn split portrait

Reference details

Layout ID
L1019

Reference prompts

Layout reference prompt

A minimalist thriller movie poster sets a torn photographic image against a vast field of deep oxblood red, the red occupying most of the frame. In the upper-middle of the frame, a horizontal rectangular photograph appears ripped down the middle, its two halves slightly offset and tilted. On the left half, an adult man's face in three-quarter view gazes toward the right, his blue eyes alert, wearing a dark suit, white shirt, and dark tie. On the right half, an adult woman's face in profile gazes upward and left, her honey-blonde bouffant hair catching the light, her lips parted, wearing a green collar at her throat. Between the two torn halves, a black-and-white ink illustration of a clenched fist grips the two edges of the tear, its knuckles white and detailed. The white border of the photograph is visible along the outer edges of both halves, and the tear itself runs jagged and vertical between the two faces. Below the photograph, in the vertical center of the red field, the title reads "TITLE" in bold condensed yellow capitals framed by a pair of single quotation marks. The red background is flat and unmodulated, a uniform field of deep crimson from edge to edge. A thin sliver of white printed margin borders the red field on the left and right edges of the frame. The adult man's collar and tie are crisply defined, the white shirt glowing against the dark lapel. The adult woman's green collar curves just below her chin, a small wedge of color at the photograph's lower-right corner. The lighting is soft studio light within the photograph, modeling both faces with gentle highlights on the cheekbones and leaving the man's suit in dark shadow. The color palette is stark: oxblood red, canary yellow lettering, and the natural skin tones and muted clothing colors inside the torn photograph. The illustration of the fist is pure black ink on white, its linework loose and expressive. The composition feels tense and symbolic, the two faces divided by violence beneath a single bold line of yellow type.