poster headline design — Centered chef and crowd under stacked two-font title

A dark-comedy thriller movie poster shows a stern chef looming over a crowd of wealthy diners in a shadowy restaurant, set against near-black surroundings with warm copper accents. The background is a dim restaurant interior dissolving into darkness, with rows of hanging copper pots glinting faintly in the upper left and upper right corners. Across the top of the frame, a small lowercase "TITLE" word in delicate white serif italics floats above a much larger "TITLE" in massive bold white sans-serif capitals. The large title spans nearly the full width, its letters clean, heavy, and evenly spaced against the black. At the center of the frame, a tall middle-aged adult man in a pristine white chef's coat stands facing the viewer, his hands clasped together at chest level. He has short graying hair, pale blue eyes, and a severe, unsmiling expression, his face lit with cold precision. The white of his coat glows as the brightest large shape in the composition, its starched folds catching the key light. His clasped hands are weathered and strong, the knuckles catching small highlights. In the lower-left foreground, an adult woman in her late twenties with copper-red hair and bangs leans in close, her chin resting on her hand as she stares directly at the viewer with a bored, defiant gaze. She wears a black leather moto jacket over a mauve lace top, with a thin gold pendant necklace at her throat. In the lower-right foreground, an adult man in his thirties in a charcoal-gray suit and tie leans over a dinner plate, spearing a piece of meat with a fork. His expression is petulant and dissatisfied, his eyes lowered toward the food. On the table before him sits a white plate with a green rim holding an artfully arranged dish, including a tall cylinder of bone marrow, slices of pink meat, and small garnishes. A second plate with food is partially visible at the right edge of the frame, along with the blurred base of a wine glass in the bottom-right corner. Across the bottom edge, the dark table surface stretches beneath the plates, nearly black in the low light. Behind the chef, a crowd of a dozen guests fills the middle ground, their faces half-lit and tense, some holding wine glasses, one older adult man laughing with his head thrown back. On the left side of the crowd, an adult woman in a black-and-white polka-dot dress stands with her arms crossed, watching warily. On the right side of the crowd, an adult man in his thirties in a gray blazer holds two glasses of red wine, his attention fixed on the chef. The lighting is low and dramatic, with a strong cool key light raking down from above onto the chef's face and coat while the crowd behind sinks into murky shadow; warm highlights glint off the copper pots and the wine glasses, and the foreground faces carry sharp, almost interrogation-like highlights against the surrounding dark. The composition balances the monumental white-clad chef at the center against the two brooding foreground diners below and the anxious crowd behind, with the black, bone-white, and copper palette, the sleek satirical-thriller poster style, and a mood of tense, decadent unease that feels like a dinner party about to go very wrong.