two-character poster — Bottom title, multi-line title, stacked type

A painted drama movie poster in a bold expressionist illustration style presents a giant blue-tinted shouting face looming over a red-and-black divided background, with a small inset scene above and a stark white title on a black band below. The background is split vertically: the left and bottom-left fields are flat, intense crimson red, while the upper-right field is solid black and the far-right field is a tall red column streaked with black flame-like brushstrokes. In the upper-center of the frame, a narrow vertical window of teal-blue opens in the black field, showing two small full-length figures: an adult woman in a cream-colored dress and an adult man in a white suit, his hand raised to touch her dark hair. The two small figures are rendered in loose, sketchy strokes, their faces simplified, her dress falling in simple folds to her ankles. Dominating the lower two-thirds, the enormous head and reaching hand of an adult man are painted in icy blue and white tones, his mouth stretched open in a shout, teeth bared. His furrowed brow, wide staring eyes, and flared nostrils convey anguish, while thick black outlines define his jaw and cheekbones. In the lower-right quadrant, his large blue hand thrusts toward the viewer, index finger pointing, the foreshortened fingers nearly breaking the right edge of the frame. In the bottom-left corner, against the red field, a small dark silhouette of a fallen adult man lies crumpled on steps, one arm dangling. In the bottom-right area, a crowd of tiny black silhouetted figures with raised arms masses along the red field's edge, suggesting a mob or procession. On the right edge, the black flame-like streaks rise like smoke or fire above the crowd. Thick impasto-like strokes texture the black field around the inset window, contrasting with the flat red areas. The heavy black outlines and flat color fields give the painting a woodcut-like graphic quality. Across the bottom of the frame, a solid black horizontal band carries the title in two stacked lines reading "TITLE" in large white slab-serif uppercase letters. The white letters are slightly softened, as if printed from a worn block, and dominate the black band. The lighting is flat and graphic rather than naturalistic, with the blue face modeled by bold white highlights on one side and deep black-blue shadows on the other, while the red fields remain uniformly saturated. The monumental shouting face pressing against the fractured red-black background, counterbalanced by the tiny inset figures above and the heavy title band below, composes a searing dramatic image where the crimson, icy-blue, and black palette of the expressionist painted style carries a mood of desperate, accusatory torment.