stacked typography — Oversized title with single figure at the center

A minimalist object-focused movie poster presents a single battle-worn military helmet in left-facing profile, floating against a plain white background with a massive title stacked below it. The helmet's dome is painted in a mottled jungle camouflage of olive green, dark brown, and black, its surface scuffed, chipped, and scratched from hard wear. Tiny paint chips along the rim reveal dull metal beneath the camouflage. On the left side of the shell, bold black brush-painted lettering reads "BORN TO KILL" in three uneven hand-lettered lines, the paint slightly dripped at the edges. On the right side of the dome, a small white circular badge bears a black peace symbol, its glossy surface catching a bright pinpoint highlight. A dark fabric helmet band wraps the base of the shell, its strap hanging loose and frayed. Tucked beneath the band on the right, a row of seven upright brass rifle cartridges gleams, their copper-jacketed tips aligned in a neat diagonal rank. The cartridges' brass casings show faint vertical machining lines. Beneath the helmet's front rim, a small dark rectangular buckle-like object dangles from a worn strap, swinging slightly out of alignment. The helmet's flared rim casts no hard edge, its curves rolling softly into the white around it. In the upper-left corner, the upper-right corner, and across the top edge, the white background remains completely empty, giving the object room to breathe. In the bottom-left and bottom-right corners, the white background continues unbroken beneath the title. In the center of the frame, the helmet hangs slightly above the vertical midpoint, its weight pulling the eye downward. In the lower third, centered beneath the helmet, a massive heavy black condensed uppercase "TITLE" stacks in three tight lines, its blocky letters anchoring the composition. The title's letterforms are solid and monumental, with slightly rounded terminals softening their weight. The lighting is soft and studio-like, wrapping gently around the helmet's curved steel so highlights slide across the camouflage paint and brass cartridges, while a faint soft shadow grounds the object from below. The lone helmet centered in generous white space above the heavy black title block creates a stark, symmetrical balance in olive drab, brass gold, and stark black-and-white, rendered in a crisp photographic-realist style with a tense, ironic anti-war mood.