black and white poster design — diagonal composition with overlapping elements and oversized bottom title

A cinematic movie poster rendered as a desaturated monochrome photograph shows three dark bison tumbling from a rocky cliff edge into a fog-shrouded mountain valley. The cliff face occupies the left third of the frame, its stratified rock running diagonally from the upper-left corner down toward the lower-left edge in a bold falling line. In the upper-left corner, a large black bison launches off the rim with its head lowered, tail raised, and forelegs tucked beneath its heavy body. Near the center of the frame, a second black bison pushes away from the ledge mid-fall, its body twisted and one foreleg dangling toward the broken rock. In the lower-right quadrant, a third black bison hangs suspended in open air with its legs splayed upward and its muzzle angled toward the cliff. The dark coats of the animals read almost black against the pale surroundings, with faint lighter tones along the ridges of their backs and flanks. In the lower-left corner, cracks, ledges, and fractured boulders texture the cliff surface in sharp relief. Behind the falling animals, the background dissolves into a vast pale valley where soft layered ridges fade into milky gray distance. Faint suggestions of winding paths and distant treelines appear within the murk of the middle distance. The upper half of the frame holds an overcast gray sky textured with fine film grain and faint drifting haze. In the upper-right corner, the empty sky stretches uninterrupted, emphasizing the isolation and height of the scene. Across the lower third of the poster, a single line of enormous bold uppercase lettering in vivid vermilion red spells "TITLE", its heavy forms overlapping the dark rock and the pale mist. The red lettering is the only saturated color in the frame, and it draws the eye immediately despite sitting at the very bottom edge. The letters appear to carry a slightly weathered, stamped quality along their edges. Small stones and dust appear to scatter from the hooves of the upper bison as it leaves the edge. The middle bison's shadow falls faintly across the rock face beneath it. No other text appears anywhere on the poster. The lighting is soft, diffused daylight filtered through dense fog, wrapping the rock and the animals in even tonal gradations with gentle shadows and no harsh contrast or bright specular highlights. The diagonal cliff balances the wide empty sky in a stark documentary-photography style, while the gray-brown monochrome palette punctured by the vermilion title creates a bleak and solemn mood of inevitable descent.