experimental poster design — Oversized Title, Condensed, Centered

An experimental black-and-white movie poster centers on a huge distorted halftone face sliced into horizontal strips, set against an off-white paper field. The background is a plain, lightly textured off-white paper with no other elements. At the top of the frame, the uppermost strip of the face shows only the curve of a forehead and dark hair, rendered in heavy black ink. Across the upper third, thick horizontal white gaps cut through the image like torn bands, dividing the face into stacked strips. In the upper-right corner, the white gaps widen into torn-looking edges that eat into the black ink of the hair. In the center of the composition, the eyes of an adult man stare forward from one dark band, half-lost in grain and ink blobs. Between the eye strip and the nose strip, one white band runs wider than the others, creating a horizontal breathing space across the face. Below the eyes, the nose emerges in the next strip as a broad black shape with rough photocopied edges. In the lower-middle area, the mouth appears as a wide dark horizontal smear, the lips pressed in a grim line. On the left edge near the middle, a small line of black uppercase text sits inside one white gap, reading "A FILM BY ACTOR NAME". Along the left side, a narrow vertical strip of tiny letters runs downward, blurred and illegible. Across the lower third, a wide solid black band carries enormous condensed white uppercase letters, the largest type on the poster, reading "TITLE". Directly beneath the large title, a smaller line of condensed white uppercase letters on the same black band reads "TITLE". At the very bottom of the frame, the composition dissolves into a grainy inverted cityscape of dark building shapes and small white specks of light. On the lower-right side, the silhouettes of multi-story buildings lean against the black band, their windows reduced to white dots. On the lower-left side, more dark structural shapes and vertical sign fragments anchor the corner. A fine spray of white noise and ink specks scatters across the black areas, densest around the bottom edge. The black areas have a rough, eroded texture, as if the ink were scraped or overexposed. The lighting is flat and graphic, with no modeled shadows or gradients, only the harsh contrast of black ink on off-white paper and the grainy texture of a photocopied photograph. Overall, the poster holds a single towering fragmented face above a blocky title band in a strictly centered symmetrical composition, in a stark black-on-off-white palette, rendered in a raw photocopied halftone style that feels gritty, urgent, and confrontational.