horror poster design — Oversized title with condensed type and serif type

A horror movie poster presses a tangle of blurred adult human bodies against a grainy screen-like membrane, their splayed hands and smears of blood barely resolving through the murk.
At the very top of the frame, the texture's weave is coarsest, like a dirty window screen.
In the upper-right corner, a single hand presses with fingers splayed wide.
In the center of the frame, pale out-of-focus adult bodies writhe behind a woven gauze texture, limbs overlapping, skin tones washed to grey-blue.
Near the center of the frame, two adult bodies overlap so completely they merge into one grey mass.
Hands press from inside against the membrane at several points: one near the upper area with fingers spread, two more at the mid-right, and others reaching from the lower-left.
In the lower-left corner, another hand reaches up from the darkness.
In the upper-left corner, a dark shoe-like shape rests against the screen beside a rust-red smudge.
Along the left edge, the blood smudges trail downward as if smeared.
Small rust-red blood smudges scatter across the field: one at the mid-right, one near the left edge, and faint traces lower down.
In the lower-right corner, the murk is deepest, hiding all but a pale adult limb.
In the lower third, the adult bodies grow darker and more tangled, dissolving toward black.
Across the lower third, a large distressed white condensed serif "TITLE" anchors the composition, the only sharp element in the whole image.
At the very bottom of the frame, a smaller bracketed tagline placeholder line sits small and clinical beneath the title.
The lighting is cold and diffused, as if filtered through frosted glass, with a pale sickly glow in the center that fades into inky blue-black shadow at the corners, flattening the adult bodies into ghostly smudges.
Heavy grain and the woven screen pattern degrade every edge, keeping the figures agonizingly indistinct.
The pressed hands at multiple points set a claustrophobic rhythm of trapped movement across the whole field.
The blood smears stay small and scattered, never resolving into clear shapes.
A few darker handprints smear the lower area where the bodies press hardest against the membrane.
Overall, the composition balances the writhing blurred mass at center against the stark white title below, rendered in a desaturated teal-slate-and-rust photographic palette and a grimy found-footage horror style steeped in helpless, suffocating dread.