close-up portrait composition — Oversized title, small tagline with condensed type

A minimalist drama poster on a warm off-white, bone-colored background, nearly empty in its upper half. Across the upper third, a huge distressed condensed title ("TITLE") spans the frame in weathered grey-black block letters. The letters have a worn, eroded texture, as if sandblasted, with rough edges and speckled voids. To the right of the title, a smaller two-word subtitle ("TAGLINE") sits in the same distressed style, tucked under the main line's end. A faint drop shadow falls from the title letters onto the pale ground, giving them slight lift. In the middle-left of the poster, two small black bird silhouettes fly across the empty sky, one higher and larger than the other. The larger bird banks left, its wingtips sharp, a pure black cut-out against the pale ground. The smaller bird trails below and to the left, its wings caught mid-downstroke. The lower half of the frame is a low-angle close-up of a middle-aged man's face, cropped at the bottom edge. He looks upward and to the left, his eyes fixed on something above the frame, his brow deeply furrowed. His short dark hair is cropped close, and several days of dark stubble cover his jaw and chin. His skin is weathered, with deep lines around the mouth and eyes catching the hard daylight. At the bottom-right corner, the dark lapel of a jacket and a white shirt collar frame his neck. The white shirt's top button is undone, the collar slightly askew. In the lower-left corner, the pale background remains empty, a quiet negative space. The lighting is stark midday sun from above: it bleaches the top of his forehead and nose to near-white while carving a hard black shadow along the right side of his face. The pale background has a subtle paper texture, warm and matte, with faint speckles. In the upper-left corner, the emptiness of the background is total, emphasizing the poster's restraint. The palette is reduced to bone white, warm grey, and deep black, with no other colors present. The composition is austere and monumental, a single upturned face beneath an enormous worn title, in a quiet, elegiac style that reads as weary defiance.