ensemble poster design — Floating Heads · Oversized Title · Top Title

A psychological-thriller movie poster built around three large floating faces split by a jagged red-and-black crack against an icy blue background. The background fills the frame with a frosty pale-blue texture like cracked ice, darker at the edges, with faint white scratch marks webbing across it. Across the top edge, a bold white sans-serif Chinese banner line reads "金獎團隊打造後最強驚悚傑作", the bracketed earlier film title replaced by a placeholder, the white characters standing out against the icy field. In the upper-center of the frame, a vertical shard of saturated red slashes downward like a torn wound, its edges black and feathered; within the red shard, a smaller inset shows a smiling adult man in profile facing left and a woman with her back turned, both tinted crimson. On the left side of the frame, a large close-up of a bearded adult man in his forties stares directly outward with a troubled expression, his face filling the left third from the top edge to mid-frame, stubble shadowing his jaw, a gray sweater visible at his collar. On the right side of the frame, a large close-up of an adult woman in her thirties turns her head over her shoulder to gaze outward with wide, wary eyes, her long dark brown hair streaming across the right edge, a pale blue-gray top on her shoulder. The red shard separates the two faces, its black crack continuing downward through the title. Across the lower-middle of the frame, the title appears as two giant distressed red Chinese characters reading "TITLE", split apart by the black crack running between them; below the title, a line of small red uppercase sans-serif English letters reads "TITLE". Beneath that, a line of small white Chinese characters lists bracketed earlier-film credits and cast names. At the bottom of the frame, the release date "5月7日（五）" appears in white bold sans-serif, followed by a red tagline reading "TAGLINE", with a narrow strip of tiny gray credit text and small distributor logos along the very bottom edge, too small to read. The lighting is cold and clinical, a flat icy key flattening the faces with cool highlights while the red shard glows with saturated warmth, the contrast between ice-blue and blood-red driving the tension. The overall composition locks the three faces and the split title into a fractured vertical axis, fusing an ice-blue, blood-red, and black palette in a slick high-contrast photographic style that feels paranoid, chilling, and volatile.