ensemble poster design — Collage / Montage · Collage · Oversized Title

A pop-art movie poster of four high-contrast portraits in a two-by-two grid on saturated flat-color backgrounds, festival laurels strung across the top. The background of each quadrant is a flat saturated color: green at the upper-left, red at the upper-right, blue at the lower-left, yellow at the lower-right. A row of small festival laurel emblems spans the top edge, five laurels in a neat row, each with a year above the festival name, too small to read in detail. In the upper-left quadrant, a bearded adult man in his forties with dark curly hair stares outward, his face rendered in stark black-and-white halftone against the green, a mole on his cheek rendered as a black dot, his black shirt merging with the shadows. In the upper-right, an adult woman in her forties with voluminous dark curly hair, heavy turquoise eyeshadow, and bright red lips poses against the red, a beauty mark above her lip, her bare shoulders visible, her collarbones sharp highlights. In the lower-left, an elderly adult woman with wild white-gray hair, turquoise eyeshadow, and red lipstick smirks against the blue, deep lines around her mouth turned up in amusement, a leopard-print collar at her neck, a gold hoop earring glinting. In the lower-right, an adult man in his thirties with a dark curly afro and pink eyeshadow gazes out against the yellow, his lips parted, a thin gold chain at his throat. The portraits overlap the thin white grid lines slightly, breaking the rigid geometry with hair and shoulders. Below the grid, small black Chinese characters list cast names on the left and right margins, three names on the left and three on the right, set in a clean sans-serif. Across the lower-middle, the title appears as five giant black sans-serif Chinese characters reading "TITLE", with smaller black uppercase English letters beneath reading "TITLE", followed by a small credit line referencing a previous film and a director, the reference set in brackets, the name of the director in bold, and at the bottom, large blue characters read "柏林影展开幕片". The lighting is flat and graphic, the photographic portraits treated with harsh posterization in a Warhol style, hard black shadows and bleached highlights, no modeling beyond the two-tone treatment. The overall composition locks the four vivid faces into a rigid pop grid above the bold typographic footer, joining a green-red-blue-yellow quad palette with stark black-and-white in a silkscreen pop-art style that feels campy, theatrical, and ironic.