Layouts
#L3525
close-up portrait composition — Close-Up, Split Layout, Oversized Title
L3525 · close-up portrait composition — Close-Up, Split Layout, Oversized Title. Explore the reference image and prompt, then open this composition in the layout tool.

Reference details
- Layout ID
- L3525
Reference prompts
Layout reference prompt
A vintage noir movie poster shows a large pencil-drawn close-up of an adult man's face on the left side, set against soft charcoal-gray sketch shading with enormous tangerine-orange capital letters stacked down the right side. The background fills the frame in smoky graphite tones, heavier and darker toward the upper-left corner and dissolving into pale silver-gray near the bottom. Across the top of the frame, long curtain folds fall in diagonal striped pencil hatching that runs from the upper edge down the right side. In the upper-left corner, a thin ribbon of cigarette smoke rises and curls above the man's temple. On the left side of the frame, the adult man's face turns slightly toward the viewer, his eyes wide and watchful beneath a furrowed brow. Three short stitched scars cross his left temple above the eyebrow, each stitch drawn as a small dark dash. His light-colored hair is combed straight back in fine parallel pencil strokes that lighten toward the crown. In the lower-left corner, the shaded cheek deepens into charcoal near the edge, the pencil strokes curving with the bone. In the lower-right corner, the tallest orange letters crowd the edge, overlapping the striped curtain folds. Near the center of the frame, a lit cigarette is clamped between his lips, its pale ember and ash tip glowing softly. His mouth sits tight around the cigarette, the lips drawn with dense gray shading. In the center of the composition, the broad nose and shadowed cheekbones anchor the portrait. On the right side of the frame, the steel muzzle and slide of a handgun jut horizontally in from behind his cheek, its barrel pointing toward the left. In the upper-right corner, the towering orange title letters begin, rising above the gun and overlapping the curtain folds. Across the lower third, the jawline and chin sink into deep shadowed gray. At the bottom of the frame, the drawing melts into smooth medium-gray tone with no hard edge. The title area uses "TITLE" in very tall condensed orange capitals running vertically down the right side, each letter nearly touching its neighbors, with a small scripted word tucked just above the first letter in the same tangerine orange, representing the title's opening word. The lighting is flat and diffuse, like overcast daylight on paper, with layered pencil shading modeling the cheekbones, nose, and lips, pooling into deep charcoal inside the curtain folds and along the gun barrel, while soft highlights lift the cigarette smoke, the ash tip, and the bridge of the nose. The overall balance sets the dark sketchy portrait on the left against the towering orange letter stack on the right, pairing warm tangerine orange with cool charcoal, graphite, and silver grays in a 1930s pulp-illustration style, and the mood feels taut, watchful, and quietly menacing.