collage poster design — Oversized title with serif type and centered composition

A political-thriller movie poster collages torn bands of red, white, and blue around a man's face, set against a stark white field. The left half of the frame is mostly empty white, cut by jagged torn edges that separate the color bands. In the lower-left quadrant, a huge black serif title reading "TITLE" spans the white space, its letters tall and monumental. A diagonal red band sweeps from the upper-left corner down through the center, its edges ragged like torn paper. Across the upper portion of the red band, large pale capital letters form a dramatic newspaper headline about a president's assassination, partially cropped at the band's edge. Above the headline, a small red-toned photograph shows a chaotic street scene with figures crowding around an open car. In the center of the frame, a middle-aged man's face in red halftone stares directly forward, wearing dark-rimmed glasses, his expression grave. His hair is neatly combed, the red duotone giving his skin a grainy printed texture. To the right of the red band, a vertical blue band carries a column of large white stars down its length. In the upper-right corner, the largest white star sits against deep navy. Within the blue band, a blue-duotone photograph shows an adult man holding a long rifle, standing stiffly. Across the upper-right area of the blue band, cropped pale capital letters suggest a fragmented headline, too incomplete to read. The red band narrows as it descends, ending in a torn point near the bottom center. The torn white shapes between the bands read as the image ripping apart. In the lower-right corner, the blue band continues to the bottom edge, its white stars sinking into deep navy. Small grain and halftone dots texture the photographic areas. The lighting is flat and graphic, like a printed collage, with no cast shadows and the photographs carrying their own harsh documentary contrast. The final composition tears the flag-colored bands across a white void around the central red face, in a stark red, white, and navy palette, a bold graphic-collage style, and a mood of paranoid national trauma.