close-up portrait composition — Oversized title, multi-line title with title across the bottom

A drama movie poster of a bearded man's face in extreme close-up, filling the entire frame, his piercing blue eyes locked on the viewer. The background is plain off-white, and the photograph itself has rough, torn-paper edges, as if ripped from a larger print and pasted down. At the top of the frame, the torn edge cuts across his forehead, the white margin frayed and uneven. In the upper-left corner, the torn margin cuts diagonally over his brow. In the upper-right corner, the deckled edge exposes a thin jagged strip of white. The man's face dominates the center of the composition, cropped so tightly that his features press against every edge. He is a middle-aged man with sun-weathered skin, a full dark brown beard, and deep lines etched around his eyes. His two eyes stare directly out, a startling clear blue, the left eye slightly more shadowed than the right. His dark eyebrows are drawn together in a look of exhausted intensity, his gaze unwavering. His nose fills the center of the frame, its weathered texture and pores rendered in unflinching detail. His lips are parted slightly, revealing a glimpse of teeth, as if caught mid-breath or about to speak. The beard covers his jaw and chin in a dense, unkempt mass, individual hairs catching the light along the lower edge. On the left edge of the frame, a sliver of his ear and sideburn is visible against the white margin. On the right edge, the torn deckle of the photograph exposes the white border in a jagged strip. In the lower-right corner, the beard's dark mass meets the title's final letter. Near the bottom-left, the torn edge dips inward, exposing a wider wedge of the white margin. Across the bottom of the poster, a large elegant "TITLE" sits in refined white serif capitals, spanning the width over the dark mass of the beard. A thin horizontal white rule separates the title's two lines, extending beyond the letters on both sides. The letterforms are classical and widely spaced, their crisp whiteness glowing against the shadowed chin below. The lighting is soft and frontal, like diffused daylight, modeling the planes of his face gently while keeping the blue eyes as the single sharp focal point. Shadows are shallow, settling only in the beard's depths and beneath the brow, giving the skin a worn, leathery warmth. The palette is restrained and earthy: weathered tan skin, dark umber beard, and the startling cyan-blue of the eyes, all framed by clean white. The overall effect is an intimate, weather-beaten character portrait, where the unblinking blue stare and the torn edges suggest a mood of lonely, hard-won survival.