minimalist poster design — Extreme close-up, with symmetrical composition and sans-serif type

A minimalist movie poster in tactile documentary-photographic style fills the entire frame with an extreme close-up of woven fabric split into two stark halves. The background is the fabric itself: across the left half of the frame, an ivory-white woven cloth shows wrinkles, visible weave texture, and a roughly torn horizontal seam mended with loose black thread, the frayed fibers catching the light. Near the left edge, slightly above the vertical middle, a small hand-drawn floral doodle in thin black ink marks the white cloth like a casual sketch. A second frayed thread trails from the torn seam toward the lower-left, its loose ends curling against the weave. Just left of the dividing seam, a row of small dark stitch holes traces where the two cloths were once joined more tightly. The white star in the lower-right area shows a slightly rough edge, suggesting the stars were appliqued rather than printed. The title's letterforms are heavy and uniform, their edges crisp against the textured cloth, with generous spacing that lets the fabric show through between characters. Along the center of the frame, a vertical stitched seam divides the composition, its dark reinforced stitching running from the top edge to the bottom edge in a slightly uneven line. Across the right half of the frame, a black woven fabric continues the same coarse weave texture, its folds catching a faint sheen. In the upper-right corner, a partial white five-pointed star is cropped by the top edge, only three of its points visible. In the lower-right area, a second white five-pointed star appears larger and more complete, its crisp points standing out against the black cloth. In the center of the frame, the film's title ("TITLE") appears in bold geometric sans-serif capital letters with wide letter-spacing, straddling the dividing seam so that the first three letters render in black against the white cloth and the last three render in white against the black cloth. In the upper-left corner, the wrinkled white weave fills the space with soft undulating folds. In the lower-left corner, the white cloth darkens slightly toward the edge, its texture growing coarser. The upper edge of the frame crops both fabrics cleanly with no border or margin. At the very bottom, the black and white cloths continue past the frame with no credits, logos, or additional text visible anywhere. The lighting is soft and diffused like overcast daylight, revealing every thread of the weave with gentle shadows in the wrinkles and no harsh highlights. Overall, the composition balances the two textile halves in strict vertical symmetry around the centered title, pairing a severe black-and-white palette with raw fabric-texture realism to project a somber, divided, quietly tense mood.