symmetrical composition — Oversized Title, Stacked Lines, Symmetrical

A retro-illustrated movie poster arranges four illustrated adult faces symmetrically around a central title, set against a deep green panel framed by a patterned orange-red border. The background structure is a central dark-green rectangle, bordered on all sides by a wide orange-red band patterned with pale grapevines and geometric diamonds. Along the top edge of the border, a dark bottle with a teal label and a flat green gift box rest against the orange pattern. In the top-left corner, a sprig of green leaves and a halved boiled egg with a bright orange yolk complete the border's still life. Across the upper third of the green panel, two upside-down illustrated faces hang from the top edge, mirror images of each other. In the upper-left corner of the green panel, an adult man with dark navy-blue hair holds a green telephone handset to his ear, his eyes half open. In the upper-right corner, a second adult man with similar dark hair mirrors him, handset pressed to his ear, eyes closed. Thin yellow coiled telephone cords loop between their hands and trail across the green field. At the center of the composition, large loose white hand-lettered words read "TITLE", stacked in uneven playful lines. The lettering is brushy and informal, white against the green, with a tangle of yellow coiled cord drawn behind the middle words. On the left edge of the orange border, an illustrated green pig hangs upside down, its legs in the air. On the right edge of the orange border, a dark bottle, a cigarette, and a pair of chopsticks are drawn in flat profile. In the lower-left corner of the green panel, an illustrated adult woman with dark navy hair holds a green handset to her ear, looking toward the right, dressed in a tan jacket over a white ribbed sweater. In the lower-right corner, an illustrated adult man in profile holds a green handset, his gaze lowered, wearing an olive-green jacket. In the bottom-left corner of the orange border, a cracked dark picture frame and another egg-yolk half rest against the pattern. In the bottom-right corner, a second green pig and large green leaves fill the border. The lighting is flat and graphic, the even illumination of printed illustration; there are no shadows or highlights, only solid blocks of color with fine ink outlines. The composition locks four mirrored faces and scattered still-life objects into strict symmetry, rendered in a flat retro-illustration style with a palette of deep green, vermilion orange, navy blue, and pale peach, producing a mood of wry, psychedelic unease.