two-character poster — Centered Group · Oversized Title · Multi-Line Title

A biographical-drama poster of a giant big-eyed young-woman painting flanked by two adults, set against a textured art-world background.

At the center of the frame, a huge painting of a young adult woman in her twenties with enormous tearful eyes in a blue dress dominates, her thin arms hanging.

Below, on the left, an adult man in a white shirt leans in holding a paintbrush; on the right, an adult woman in a white blouse holds a brush too.

Across the top edge, credit lines read "ACTOR NAME" in white characters.

In the upper area, the title "TITLE" appears in white capitals.

Across the middle area, the large white title "TITLE" appears in very large bold Chinese characters.

In the lower area, the tagline "TAGLINE" appears in yellow characters.

Along the bottom edge, a credit block runs in tiny lettering.

The Burton biopic's textured art-world frames, the giant tearful-eyed young woman's stare the poster's oddity. The enormous tearful eyes, the bright blue dress, the slender hanging arms. The eager leaning white-shirted man, the thin held brush, the crisp white-bloused woman, the delicate held brush. The small white top credits, the white upper English capitals. The huge white Chinese title's bold, the bright yellow tagline, the dense tiny bottom block. The painterly Burton-esque light's modeling, the stylized flat painting, the kind warm adults, the popping blue. The poster's total quirky is the Keane fraud, the big eyes' biggest story told, the blue's dress a canvas, the fraud's exposure a triumph, the Keane's signature a confession, the Burton's whimsy intact, the 60s' art world vivid and bright.

The enormous eyes' tearful. The blue dress' bright. The hanging arms' thin. The leaning man's eager. The held brush's thin. The white blouse's crisp. The held brush's delicate.

The white credits' small. The white capitals'. The white title's massive. The bold characters'. The yellow tagline's bright. The tiny block's dense. The composition's fraud is art's biggest. The biopic is Burton's.

The painterly light's Burton-esque. The flat painting's stylized. The warm adults' kind. The poster's quirky is total.

The young woman stares. The painters paint. The fraud grows.

The blue pops. The yellow warns. The texture grounds.

Blue, yellow, quirky.

Big eyes, bigger lies.

The lighting is painterly and Burton-esque: the painting's flatness, the adults' warmth, the blue's pop.

Together, the giant-painting artist-drama composition, the blue-yellow-and-textured palette, the Tim Burton style, and the mood of art's biggest fraud form a quirky biopic poster.