poster headline design — Two Figures · Oversized Title · High Contrast

A Spanish Netflix thriller poster of two distorted faces behind wavy glass, a white title at the bottom. The background is pale institutional. The frame is filled by two adult faces seen through distorted vertical glass: an older man with glasses at the left, a blond woman touching her neck at the right, their features stretched. At the bottom, the title appears as large white characters reading "TITLE", the letters elegant, with white English letters beneath reading "TITLE". The lighting is cold and clinical, the glass warping. The overall composition traps the warped faces in the glass above the stark white title, joining a glass-pale, coat-brown, and white palette in a chilling photographic style that feels paranoid, clinical, and uncanny, God's crooked lines. The glass is the asylum. The distortion is the mind. The woman's hand is the doubt. The man's glasses are the authority. The white title is the diagnosis. The diagnosis is the crooked. The crooked is the god. The poster is a ward. The ward is the lines. The older man's gray hair is neat. His black glasses are thick. His brown coat is corduroy. His expression is stern. The blond woman's hair is pulled back. Her dark sweater is knit. Her fingers touch her throat. Her gaze is wary. The glass's vertical waves distort. The stretch's effect is uncanny. The pale wall's institutional is flat. The white title's characters are large, thin. The English below is small, spaced. The composition's warp is the 2022. The 2022 is the Netflix. The Netflix is the Oriol. The Oriol is the Paulo. The Paulo is the thriller. The thriller is the asylum. The asylum is the 1979. The 1979 is the novel. The novel is the Alice. The Alice is the Gould. The Gould is the patient. The patient is the detective. The detective is the woman. The woman is the blond. The blond is the doubt. The doubt is the glass. The glass is the mind. The mind is the crooked. The crooked is the lines. The lines are the god. The god is the poster. The glass warps, and the truth bends. The asylum is the stage. The mind is the suspect. The white title is the verdict. The verdict is the crooked. The 2022 is the Netflix. The Netflix is the 2022. The lines are crooked. The god is the author. Bend. The ward is the world. Still. Warped.