minimalist poster design — Two figures, with silhouette and centered layout

A minimalist graphic movie poster of a black geometric adult human figure against two flat color blocks, rendered in bold mid-century cut-paper print style. A wide white margin frames the entire composition like a mat. In the upper two-thirds, a solid block of deep golden-yellow fills the frame edge to edge. In the lower third, a solid block of crimson red sits directly beneath it, slightly narrower than the yellow block. Straddling the boundary between the two blocks stands a flat black silhouette of an adult human figure, drawn as disjointed cut-paper shapes: a tilted oval head floating slightly above a rectangular torso, long angular arms, and straight column-like legs with pointed shoe shapes. On the torso of the figure, the word "TITLE" runs vertically in large golden-yellow hand-drawn letters, cut out of the black shape. On the figure's left leg, the word "TITLE" runs vertically in large red hand-drawn letters, also cut from the black. On the figure's right leg, the words "TITLE" run vertically in pale cream letters cut from the black. In the upper-left corner, the yellow field is unbroken except for a faint vertical edge mark. In the upper-right corner, the yellow deepens slightly with a subtle paper-grain tone. In the lower-left corner, the red block meets the white margin in a clean straight edge. In the lower-right corner, the red field holds no marks. The figure's left arm stretches out to the right side of the frame with an open hand, while its right arm hangs downward along its side. The head tilts slightly, giving the rigid geometry a hint of unease. The figure's legs stand wide apart, the left leg straight and the right leg slightly bent, planted firmly across the color boundary. The arms meet the torso at sharp angles, with small gaps of yellow showing between limb and body. The hand-drawn letters wobble slightly, their edges rough like torn paper. A faint paper grain textures the yellow field, most visible in the upper area. The white margin is widest at the bottom, giving the red block room to breathe. The lighting is completely flat, as in a screen print, with no shadows or highlights, so all forms read as pure color shapes. Overall, the stark vertical figure centered across the yellow-red divide, the restricted yellow-red-black-cream palette, the mid-century graphic-poster style, and the cold forensic wit form one striking, courtroom-drama emblem.