close-up portrait composition — Oversized title, extreme close-up, symmetrical

A photorealistic cinematic movie poster that is an extreme close-up of an adult man's face filling nearly the entire frame, streaked with dripping black paint, set against pure darkness. His pale green eyes stare directly and intensely at the viewer from the upper-center of the frame. Thick black paint surrounds both eyes like a mask, with glossy rivulets dripping downward across his cheeks, chin, and neck. On the left side of the face, the paint runs in long vertical trails past the mouth and off the jawline. In the upper-left corner, a dark cursive script tattoo is partially cropped by the frame edge, too stylized to read. His nose is centered in the frame, catching the key light along its bridge. His lips are coated in black with a wet sheen, pressed in a somber line across the middle of the face. On the right side of the frame, a tally-mark tattoo of thin black strokes is visible along his cheek and jaw. A smaller abstract tattoo sits on the left side of his neck near the lower-left corner. The background falls to absolute black at all four corners, isolating the face completely. Fine skin texture, pores, and a faint stubble shadow are visible in the lit areas of his face. Near the bottom of the frame, a small handwritten-style word sits above a large title ("TITLE") rendered in thin, scratchy hand-drawn serif capitals with uneven, overdrawn strokes. The title letters are tall and skeletal, with some strokes doubled. The lighting is stark and theatrical, a soft frontal key light falling on the center of the face from slightly above, sculpting the nose and cheekbones with gentle highlights while the black paint drips catch sharp specular glints, and the edges of the frame dissolve into deep velvety shadow with no visible fill. The palette is nearly monochrome, built from pitch black, ashen grey skin tones, and glossy black paint, with only the green of the irises providing a cold accent. The composition centers the face in crushing close-up symmetry so the dripping black paint and piercing eyes dominate everything, in a palette of pitch black, ashen grey, and a cold green accent rendered in a hyperreal gothic-portrait style, with a mood of brooding, mournful menace.