split-screen poster — Oversized title, multi-line title

A split-layout movie poster pairing a giant halftone eye with a standing adult woman, beside a black panel of stacked red-and-white "TITLE" text. The left two-thirds of the frame are filled with an oversized halftone portrait printed in red and yellow dots on cream paper. In the upper-left corner, the dotted pattern resolves into a single large blue-green eye ringed with heavy black liner. Above the eye, faint dotted arches suggest a brow and a pale forehead. Below the eye, the dots blur into the suggestion of a nose and a deep red mouth. The dots grow larger and looser toward the edges, dissolving into pure pattern. The cream paper between the dots glows warm, giving the giant face its sunlit skin. On the left side of the frame, at mid-height, an adult woman in her thirties stands in profile facing left, dwarfed by the giant face behind her. She wears a long rust-red wool coat over black tights, the coat falling past her knees. Her blonde hair falls past her shoulders, softly lit. Her hands are clasped in front of her, holding a folded black umbrella with a slim striped handle. Her black ankle boots stand on a narrow strip of gray concrete at the bottom of the image area. Her gaze is fixed somewhere beyond the left edge, distant and unreadable. The right third of the frame is a solid black vertical panel, a hard edge dividing the poster. The black panel's edge is razor-straight, a deliberate guillotine cut through the image. On the black panel, in the upper portion, three lines of large bold red uppercase sans-serif letters stack tightly, reading "TITLE". In the upper-right corner, the red "TITLE" letters press against the top edge of the black panel. Below them, a final line of large white uppercase letters reads "TITLE", completing the four-line stack. The red and white letters are stark against the black, massive and unadorned. In the lower-left corner, the gray ground strip meets the hard edge of the black panel. In the lower-right corner, the black panel continues unbroken to the bottom edge. At the center of the black panel's lower half, emptiness reigns, the eye drawn back to the type above. The lighting is flat and graphic, like printed poster art, with the halftone dots carrying all tonal modeling. The palette contrasts hot red and golden yellow dots against rust red, black, cream, and the stark black panel. The overall composition balances the tiny realistic figure against the monumental printed face and the severe black text panel, uniting a bold pop-art halftone palette with graphic modernist style and a mood of stylish, watchful melancholy.