Valerio Adami style reference and prompts

Flat geometric illustration packs hard-edged rectangles, circles, triangles, and arches into a tightly interlocked composition. Turquoise, brick red, mustard yellow, gray-green, black, and warm cream recur in disciplined blocks rather than soft gradients. Small striped fills, fine wear, and subtle print grain prevent the precise shapes from looking sterile. Deep black apertures create pockets of depth amid mostly even graphic light. A narrow paper margin contains the busy arrangement, while a few large curved forms provide rests between finer angular fragments. Repeated circular marks and surprising small symbolic details make the pattern feel playful and enigmatic. The rhythm is vertical, dense, and carefully balanced by color area.

A square geometric illustration compresses an imaginary harbor town into a dense arrangement of interlocking rectangles, arches, wedges, and circles. The composition sits inside a narrow cream paper margin, with a pale dusty-blue field behind its colored blocks. At the lower edge, a dark blue boat-like shape rests beneath a wide yellow-red arch. Across the center, tall turquoise and ochre arches overlap black door-shaped openings, small stairs, and narrow vertical strips. A pointed tower rises at the left with a circular black opening, while layered red and blue blocks climb toward the upper right. Small stylized creatures or faces are tucked into the structure: a wide white pair of eyes looks out from a central dark rectangle, circular eyes recur in colored squares, and a little brown bird perches near the upper left. A yellow halo containing a single horizontal eye floats in the upper-left sky. Most shapes have precise flat edges, but surfaces include subtle striped and worn print textures. The palette is disciplined: turquoise blue, brick red, mustard yellow, black, gray-green, and warm ivory. There is little naturalistic perspective; depth comes from overlap, color blocking, and a few deep black voids. Light is graphic and even, with the yellow forms functioning as bright accents rather than realistic illumination. The vertical stack is busy but controlled, larger arches providing pauses among many small angular segments. The whole image feels playful and enigmatic, as if a compact city, harbor, and symbolic language have been folded into one patterned printed page.