Styles
#1358
Chiho Aoshima style reference and prompts
Explore the “Chiho Aoshima” reference with warm highlights and soft edges. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 1358
- Category
- Painting
Reference prompts
Style prompt
The storybook digital painting builds space from an abundance of small, rounded, overlapping shapes rather than strict geometric perspective. Muted turquoise and deep teal provide a cool field, while scattered coral, dusty pink, ocher, and tiny amber lights make warm accents pulse through it. Soft edges and simple dark contours keep each miniature form readable, but their dense repetition lets neighboring shapes flow into one patterned whole. Fine speckling and modest surface variation prevent the color blocks from feeling mechanically flat. A small number of larger, plainer shapes anchor the foreground against an intricately filled middle distance, and a broad quiet area above relieves the density. Light is diffuse and even, with individual warm glints supplying local emphasis instead of hard cast shadows. The overall effect is whimsical, tender, and immersive, combining decorative abundance with a calm color structure.Full example prompt
A square storybook-style digital painting shows a small dark-haired girl in the lower left foreground before a densely layered hill town under a muted turquoise sky. The sky occupies the open upper left and gradually meets a rising mound of rounded crowns, roofs, and tiny lit windows toward the upper right. Near the crest, a cluster of taller peaked structures catches warm light and establishes the highest point of the scene. Below it, countless small houses and curved tree canopies interlock across the slope, their forms shrinking and overlapping without a strict grid. Deep teal, powder blue, muted green, coral, mustard, pink, and brown alternate in small patches. Tiny golden window lights and scattered pale dots punctuate the darker areas, making the crowded settlement feel gently alive. The painted surfaces have fine speckling and small patterned marks rather than flat, featureless color. At the bottom left, the girl's large pale face and rosy cheeks emerge from a simple black bob that forms a rounded, almost graphic silhouette. Small dark eyes and a tiny nose give her a quiet, curious expression. Her teal clothing merges partly with the darker patterned foreground, allowing the pale face to become the nearest focal point. Along the lower edge, several much smaller figures with pale oval faces and dark hair form a loose crowd; some are cut by the frame. Their reduced scale contrasts with the larger child at left and the immense intricate place rising behind them. Warm glows seem to come from openings throughout the hill, while soft, even ambient light keeps the larger scene visible without hard shadows. The eye travels from the foreground face upward through repeated rounded forms to the little summit structures. The composition is highly detailed but not rigid, with densely packed forms balanced by the calm open sky. There is no readable text. The overall mood is gentle and dreamlike, using decorative repetition and small warm lights to make a vast scene feel intimate.