Styles
#1379
Ed Templeton style reference and prompts
Explore the “Ed Templeton” reference with weathered surfaces, negative space, and pale neutral tones. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 1379
- Category
- Photography
Reference prompts
Style prompt
The color action-photographic treatment isolates a compact moving form against a large, nearly uninterrupted field of saturated blue. A low horizontal band and a pale foreground plane provide scale, making vertical separation immediately legible. Strong outdoor light creates clear light-dark differences on materials without flattening their natural texture. Deep upper color grades smoothly toward a lighter horizon, while muted earth and cream accents carry the focal shape. The moving instant is sharply frozen, yet slight film grain and imperfect surface wear keep it casual and tactile. A single extended diagonal or lateral gesture interrupts the otherwise simple horizontal structure. The composition uses generous negative space to heighten the sensation of lift and temporary suspension. The overall effect is youthful, direct, and spacious, with timing and scale more prominent than decorative detail.Full example prompt
A square color action photograph shows a skateboarder suspended high above a low concrete seaside barrier under a wide, clear blue sky. The sky occupies most of the upper and middle frame, deep navy at the top and fading to a lighter blue near the horizon. In the center, the skater's body is compact and crouched over the board, both knees sharply bent. A patterned bucket hat shades the face, which is largely hidden by the downward angle and dark upper clothing. One arm stretches horizontally to the left for balance, while the other bends near the right knee. A loose brown jacket and pale cream trousers make the body's upper and lower halves distinct against the blue field. Light socks and worn sneakers sit on the dark board; its wheels and underside are visible below the feet, separated clearly from the ground. Near the lower third, a long rough concrete wall runs across the scene, with a dark angular shadow on its near face. The board hovers well above this wall, giving the jump a readable height. The foreground is a broad light-gray pavement with a few seams and a soft cast shadow extending from the wall. At the far left, a low metal rail and a narrow line of water lead toward a distant flat horizon. Strong daylight from above and slightly left brightens the trousers, shoes, and top edges of the concrete, while the skater's face and jacket remain darker. The photograph retains slight film-like grain and natural color rather than glossy studio polish. The fast movement is held sharply enough to read the bent legs, board angle, and outstretched arm. There is no readable text. The overall composition is simple and airy, setting one brief energetic gesture against expansive blue space and a stable horizontal base.