Greg Tocchini style reference and prompts

Painterly comic illustration layers angular figure shapes in a compressed, crowded plane. Ocher, amber, burnt orange, moss green, and turquoise are broken into irregular patches, with dark ink-like contours selectively strengthening faces and hands. Broad warm illumination catches upper planes, while cool green and blue shadow wedges separate overlapping forms. Brushwork remains visibly rough, alternating opaque blocks with scraped gaps and small sharp marks. The eye is drawn to one clear close silhouette, then travels through staggered heads into the dense backdrop. Background structures remain fragmentary so they support the group without becoming a separate scene. The overall effect is energetic, slightly gritty, and cinematic.

A square painterly comic-style illustration shows a teal-haired young woman in the foreground with a crowded group of people behind her in an ocher-toned interior. She stands just right of center, turned partly away but looking back toward the viewer over her shoulder. Short turquoise hair angles across her forehead; her pale face has dark-lined eyes and a firm, unsmiling mouth. She wears an orange sleeveless top with a darker brown strap or band near the waist, and one arm drops out of the lower edge. At far left, a dark-haired man leans into the frame above a smaller red-haired figure. Behind the foreground woman, a bald older man bends forward with his forearms close together, his face lined and intent. A white-haired figure looks over him from the rear. To the right, another dark-haired face appears between shoulders, while a brown-haired man in a pale rolled-sleeve shirt leans in from the upper-right middle. At the lower right, the back of another small figure or shoulder is partly visible. Their bodies overlap heavily, leaving only narrow glimpses of the room's rough vertical structures and warm glowing panels. The viewpoint is roughly level but close, compressing the group into one shallow layer. Warm amber light from above-left catches faces and shoulders, while teal and dark green shadows shape clothing and recesses. Broken brush marks, rough edges, and angular color blocks prevent the crowded image from feeling polished. The overall composition uses the forward turned head as an anchor within a restless warm ensemble, balancing orange light with cool teal accents.