Ruud van Empel style reference and prompts

Use a polished photographic collage quality with exceptionally crisp botanical detail and gently smoothed focal surfaces. Pack the frame edge to edge with layered leaves and flowers, creating a shallow yet carefully separated depth through overlapping edges. Build a deep emerald, olive, and near-black green field, then place selective coral, rose, cream, and vivid red accents where attention should gather. Keep the main focal form frontal, still, and softly illuminated, with clear eye-level contact when a figure is present. Make the abundance precise and slightly uncanny, balancing realistic texture with an almost constructed perfection.

A square, highly detailed portrait places a young child at the center of a dense garden. The child faces the viewer directly, head and shoulders visible, with a composed expression and wide brown eyes. Dark hair is gathered into rounded sections across the top and sides of the head, making a sculptural silhouette against foliage. A black garment with tiny light dots appears beneath a white scalloped collar; a bright red ribbon is tied at the throat. The face is softly lit from the front, with clear highlights in the eyes and gently modeled skin. All around, glossy leaves crowd close to the head and shoulders. Large layered blossoms in pink, coral, and deep rose fill the lower and right parts of the frame, while smaller pale flowers punctuate the darker greenery. Some petals sit in front of the garment, and others recede behind the child's head, creating a carefully stacked shallow depth. The background has almost no open sky or wall; it is a continuous tapestry of overlapping leaves, stems, and petals. Texture is exceptionally precise: individual petals, leaf veins, and patterned cloth are visible, yet the overall image retains a polished photographic smoothness. Greens range from emerald to olive and near-black, letting the warm flowers and red ribbon stand out. The lighting is even but slightly theatrical, as if each face and leaf has been separately chosen for clarity. The close frontal composition feels formal and quietly uncanny, with the child's still gaze anchored amid lush, almost too-perfect botanical abundance.