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#1967

Greg Simkins style reference and prompts

Explore the “Greg Simkins” reference with tactile surfaces, rounded volumes, and pale neutral tones. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Greg Simkins style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Greg Simkins style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
1967
Category
Painting

Reference prompts

Style prompt

The image has a richly layered fantasy painting surface, with soft brushed transitions over rounded volumes and crisp little accents set into them. Deep blue green and near black fill the recesses, while warm russet red and muted cream occupy the prominent areas; small brass and silver highlights punctuate the low light palette. Forms overlap tightly from edge to edge, so shallow space is expressed through occlusion and selective sharpness rather than through an open horizon. Fine fibrous marks soften broad surfaces, while polished spots and narrow seams provide contrasting textures. Gentle frontal light from one upper side models the exposed planes, and shadow gathers strongly between layers. Edges around focal details are precise, fading into dark painterly passages near the frame boundary. The overall treatment is ornate and intimate, with tactile material contrasts held together by warm highlights inside a deep shadow field.

Full example prompt

A square fantasy painting brings a close group of rabbit-like travelers together against a dim, crowded background. Warm russet red clothing occupies much of the lower half, while the upper corners close in with dark blue green forms and layered ears. On the left, a large pale animal face turns outward beneath a rounded red leather cap. Its glossy black eye, fine whiskers and softly brushed cream muzzle contrast with the rigid cap seams and the row of metal buttons on its high-collared red coat. Near the center front, a smaller figure with a warm orange forehead and one gray upright ear looks toward the left. It wears a fitted red jacket with small bright fasteners and a diagonal strap; a small pale hand reaches forward around a thin dark rod. Behind this figure, another face sits partly hidden in shadow between the larger companions. The right foreground holds a white-faced figure beneath a tall folded crimson hat. A round metallic lens or goggle sits across its forehead, and gold-toned fittings, cords and a blue gray garment crowd the space around its shoulder. Slender whiskers and small dark eyes keep the animals gentle even as their uniforms and equipment look elaborate. At the far left edge, dark hands and an angled narrow object overlap the large red coat, adding another tight foreground layer without opening the scene into a broad setting. The light comes softly from the upper left and front, touching muzzles, hat leather, brass details and jacket buttons while leaving the space behind the group nearly black. Subtle brush texture and glazed shadow make fur, cloth and metal feel distinct; edges sharpen around eyes and fittings and soften where bodies merge into the dim background. The overall composition is intimate and theatrical, with large rounded heads, crowded accessories and restrained red, cream and blue green forming a curious storybook atmosphere.