Fabio Hurtado style reference and prompts

The matte painting simplifies forms into elongated vertical planes, tapered angles, and broad curved caps of color. Warm ocher, rust, cream, olive, and muted teal occupy balanced blocks, with small red accents concentrated near the visual center. Edges are clean and architectural in their geometry, yet softly shaded transitions within each plane provide quiet volume. A fine, even grain keeps the flat colors from appearing perfectly digital. Several tall shapes overlap in shallow space, forming a compact central knot above one small pale accent; broad vertical bands behind them maintain calm order. Light is diffuse and frontal, with gradual internal value changes rather than hard cast shadow or glossy reflection. Repeated narrow points contrast with rounded upper arcs and wider lower masses. The overall effect is poised and ornamental, with elegant proportion, disciplined area color, and minimal detail carrying the character of the image.

A square stylized painting arranges three elongated figures close together around a pale cup against muted teal and ocher vertical planes. At the center back, a tall figure in a dark flat-topped hat looks slightly right. The long golden face has a narrow nose and half-lowered eyes, with warm shadow running down one side. A dark green garment occupies the lower middle. On the left, a second figure with a pale cream head covering turns toward the center. A thin rust-red band follows the edge of the covering above a long, simplified face, and a strong rust-orange garment fills the lower-left corner. On the right, a third figure in a large angular pale hood faces left. A brown curve of hair appears near the ear, and a teal outer garment descends along the lower right. The three faces overlap in a compact triangular grouping, their small red lips and heavy-lidded eyes sharing a calm, distant expression. A simple light-colored cup with a short handle sits at the bottom center, partly cropped by the frame. At far right, a narrow golden stalk-like decorative form rises against a pale panel. The background is divided into large vertical blocks of beige, turquoise, brown, and gold rather than a realistic room. The paint surface is matte and subtly grainy, with smoothly shaded internal planes and extremely clean angular edges. Light appears soft and even, giving the warm faces gentle volume without cast shadows. The overall composition is intimate and geometric, balancing tall tapered profiles, broad head coverings, and one small light object within a restrained warm-cool palette.