John Perceval style reference and prompts

The style is exuberant visionary painting with an elevated panoramic view, densely worked short strokes and mosaic-like color texture. A clear sweeping blue curve threads through smaller clustered marks, giving the crowded square composition a path for the eye. Cobalt, turquoise, green, cream and yellow produce luminous contrast. Familiar spatial layers coexist with symbolic celestial circles and hand-drawn irregularity. White glints and tiny warm points repeat across the surface. The image favors imaginative accumulation and rhythmic detail over strict naturalistic perspective.

A square visionary painting looks over a sprawling town divided by a wide winding blue river. Low houses, narrow towers, gardens and bridges crowd both banks, with a tiny boat visible in the water near the lower center. Beyond the town, rolling pale hills run toward a distant horizon. The sky is deep cobalt and full of hand-drawn celestial signs: a yellow sun with uneven rays, a pale moon, small stars and curling circular forms. The sun and moon share the same sky without naturalistic time of day, making the landscape feel like a remembered dream. Buildings and terrain are assembled from short, restless strokes of blue, green, cream and ochre. The river provides the clearest broad shape, its bright turquoise bend leading the eye from foreground to the far valley. Architecture remains recognizable but flickers within dense painted marks rather than precise perspective. The elevated viewpoint reveals an entire imaginative region at once, and the city seems to extend nearly to every edge of the frame. White highlights and small yellow sparks dance across roofs, hills and sky. The surface is thickly worked and almost mosaic-like, especially where water meets clustered buildings. The scene is exuberant rather than orderly, joining topographical detail with cosmic imagery and bright decorative rhythm.