Styles
#2549
Guido Crepax style reference and prompts
Explore the “Guido Crepax” reference with crosshatching, a monochrome palette, and tonal contrast. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 2549
- Category
- Ink & line
Reference prompts
Style prompt
High-contrast black-and-white ink illustration combines broad solid blacks with untouched white paper and finely controlled stipple or crosshatching. Shape a focal form by carving pale negative areas out of dense shadow, then use tiny precise marks to model key features. Let bold geometric masses sit beside delicate curved contours and sparse flyaway lines. Keep the background nearly void-dark, with a narrow clean margin that reinforces the print-like panel. Lighting is graphic rather than naturalistic: paper white becomes luminous skin or surface, and black fill supplies enclosing depth. A close crop and oblique gaze or gesture can create restrained cinematic tension without adding color.Full example prompt
A square black-and-white ink illustration portrays a young woman with a sleek dark bob, turned three-quarters toward the right while her eyes glance back toward the viewer. Her head and bare upper shoulder fill most of the frame. Heavy jet-black hair drops from the top into a geometric curtain at the left, with blunt bangs just above the eyes and a thin bright contour separating hair from cheek. The nearer eye is large and pale, framed by dark lashes, and sits beneath a broad shadow that makes her look watchful and reserved. A narrow nose, softly parted lips, and clean white cheek are modeled by delicate stippling and finely graded hatching rather than broad gray wash. At the far right edge, a slender angled cigarette holder or similar dark stem approaches her lips, its tip picked out in white. The background is almost solid black around the upper and right sides, making the pale face and shoulder stand out as sharp negative shapes. A clean white border remains along the top and left edge. Under the chin and at the shoulder, crosshatched gradients soften the shift from white paper into black shadow. Small scratches and thin flyaway strands interrupt the otherwise controlled hair mass. Lighting is graphic and high contrast: white paper acts as the highlight while black fill creates a deep enclosing shadow. The composition uses a close crop, diagonal glance, and a few precise facial marks to produce cool, cinematic suspense.