Styles
#2846
Kodak UltraMax 400 style reference and prompts
Explore the “Kodak UltraMax 400” reference with a low viewpoint, warm and cool tones, and streaks of reflected light. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 2846
- Category
- Photography
Reference prompts
Style prompt
A color-film photographic surface uses fine visible grain, gentle contrast, and slightly blended color transitions. Cool cyan and slate tones cover broad shadow and sky areas, while small warm orange and yellow highlights gather in a horizontal band. Bright points bloom modestly into the dusk air. Straight structural edges remain readable but are softened by distance and low-contrast haze; reflective streaks break up a large dark foreground plane. The composition sets a low viewpoint across open space, a long receding diagonal, and a broad upper field of clouded color. Depth emerges from the gradient of clarity toward the horizon and from the repeated narrow divisions within the lit band. The eye moves slowly over quiet cool areas before collecting at the warm accents and scattered reflected glints.Full example prompt
A color film photograph shows a low, glass-fronted roadside store at dusk. The long building runs diagonally from the middle distance at left toward the near right edge, its interior windows glowing warm yellow-orange beneath a pale horizontal fascia. Tall parking-lot lamps stand to the left and cast bright white pools into the open paved foreground. The asphalt is dark and slightly reflective, with faint streaks and small glints leading toward the doors. A blue-green evening sky fills the upper half, carrying soft grey clouds and a thin strip of pink light at the horizon. The photographic colors feel gently muted and blended: cyan shadows, warm window light, and peach twilight meet without sharp digital separation. Fine grain and low-contrast haze soften distant trees and the far end of the building, while straight architectural lines and window divisions remain readable. The viewpoint is low across the wide empty lot; no person or vehicle dominates the scene. The lamps punctuate the left side, the store forms a glowing horizontal band across the right, and the broad dark pavement gives the image an unhurried foreground. The frame balances cool open air against a small continuous run of artificial warmth.