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#3192

August Macke style reference and prompts

Explore the “August Macke” reference with visible brushwork and geometric forms. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

August Macke style reference and prompts — Qwen Image 2.1Qwen Image 2.1
August Macke style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
3192
Category
Painting

Reference prompts

Style prompt

The Expressionist painting builds a landscape from simplified rounded color blocks and strong vertical dark lines. Saturated teal, bottle green and deep blue surround pockets of orange, yellow and salmon. Light appears as warm openings between cool masses rather than a fully modeled sunlit surface. Short, visible strokes keep boundaries lively, and overlapping flat planes create depth without losing the decorative pattern. Small dark accents repeat along a receding route. The result is rhythmic, colorful and gently immersive.

Full example prompt

A square Expressionist painting shows a park path winding through a dense stand of stylized trees. Dark, nearly black trunks rise vertically from the lower edge, supporting broad canopies made from rounded blocks of green, blue and teal. Between them, an orange yellow opening draws the eye toward a distant path. Several small walkers are scattered along it; one in a red skirt stands near the lower center, while darker figures move in the middle distance. The landscape is built from simplified color shapes rather than detailed leaves or bark. A few pale yellow and salmon patches glimmer behind the trees, suggesting late light passing through a grove. The foreground settles into deep blue green shadow, with curved foliage shapes overlapping the path. Although the scene has considerable depth, the paint also reads as a flat decorative arrangement of vertical trunks, domed canopies and warm gaps. Brushwork is visible and slightly rough, with colors pressed against one another in short planes. The strongest contrast lies between the dark upright trees and the luminous corridor beyond. The figures are deliberately tiny, giving the landscape its scale without competing with the main pattern. The overall rhythm is dense but inviting, a walk into a bright inner clearing through saturated color and shadow.