Romero Britto style reference and prompts

The pop-art image uses thick black partitions around bright flat color cells, like playful stained glass. Red, yellow and blue mix with pink, violet, lime and turquoise in a dense all-over pattern. Dots, checks and tiny repeated marks vary the surface without weakening the strong outlines. Even graphic light comes from white and pale cells rather than natural shadows. Rounded central forms and smaller corner accents make the crowded frame balanced and jubilant.

A square pop-art illustration shows two cheerful bird faces pressed together at the center. Their oversized white eyes tilt toward each other, outlined in thick black, while yellow beaks and rounded heads are divided into bright blocks of red, orange, purple and blue. Below them, simple flowers with circular centers and rounded petals sit near the lower corners. Behind the pair, a mosaic of squares, curved segments and small patches of texture fills the entire frame. There is no horizon or realistic setting; every gap becomes another color panel. The heavy black outlines act like stained-glass leading, keeping the crowded shapes distinct. Some areas carry dots, checks or tiny repeated patterns, while others remain flat glossy color. Light is graphic and even, with white eye areas and occasional pale panels supplying brightness rather than physical highlights. The birds occupy the middle of a tightly balanced composition, and their paired round eyes provide a clear focal point amid the busy decorative field. A thick black border frames the image. Primary colors are softened by pink, violet, lime and turquoise, creating a playful saturation without one dominant hue. The overall design feels celebratory and childlike, its surface made lively by bold contours, patchwork pattern and cheerful visual rhythm.