Looksift

Styles

#3222

Sanyu style reference and prompts

Explore the “Sanyu” reference with scratch-like marks, simplified forms, and negative space. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Sanyu style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Sanyu style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
3222
Category
Painting

Reference prompts

Style prompt

Lean dark contours outline elongated, simplified forms against a warm pale field. One vivid matte red shape carries most of the color, balanced by near-black accents and a small cream area. Shading is restrained and frontal light leaves almost no cast shadow. Thin scratches, rubbed patches, and slight unevenness in the beige ground reveal a handmade painted surface. Angular outer lines settle into a calm triangular arrangement, surrounded by generous negative space. The economy of detail makes a few arched and curved marks especially expressive. The overall effect is direct, watchful, and quietly elegant, with graphic clarity and slight material wear rather than polished realism.

Full example prompt

A spare painted portrait shows a seated woman facing the viewer against a warm, pale background. Her black hair is arranged close to the head, and a narrow face is drawn with dark arched brows, steady eyes, and small red lips. A vivid red shirt dress with a dark belt provides the principal color shape. Her forearms cross lightly in her lap, making a calm triangular arrangement beneath the long neck. A faint chair back and scuffed wall marks are the only setting. The image has a direct, almost disarming simplicity: the figure is centered and fully present, while much of the surrounding surface remains empty.

The style uses lean black contours, restrained shading, and matte blocks of red and beige. The background is not uniformly clean; thin scratches and small rubbed patches let the handmade surface show through. Skin is a pale cream with minimal modeling, while the hair and belt are near-black, establishing a few decisive contrasts. The shoulders and sleeves are angular, the hands simplified, and the proportions slightly elongated. Light is even and frontal, with almost no cast shadow. The composition depends on stillness, negative space, and a limited palette rather than detail. The red garment feels rich but not glossy, and the thin drawing gives the face a quiet watchfulness. No readable lettering appears.