Iryna Yermolova style reference and prompts

The image has a contemporary oil-painted finish that combines recognizable focal modeling with broad angular impasto and scraped color blocks. Saturated vermilion, scarlet, and orange carry the central weight, offset by cream, cool gray, ocher, and deep blue-black. Focal details are smoothed enough to remain legible, while surrounding edges fracture into overlapping strokes and incomplete planes. Warm frontal light pulls bright surfaces forward; broken cool shadows and dark accents keep the background shallow and active. The composition concentrates one dominant color mass amid scattered vertical and horizontal fragments, with small reflective highlights as secondary beats. The overall effect is energetic, stylish, and tactile, with confident paint handling more important than seamless realism.

A square contemporary oil painting shows a red-haired woman seated in a vivid orange-red dress against a loosely suggested café-like interior of cream, ocher, gray, and black. She occupies most of the center and right side, her crossed pale legs extending into the lower-left foreground. Her upper body turns toward the left, and her face looks beyond that edge with a calm, self-possessed expression. Loose dark crimson hair frames her face and falls in textured curls around the shoulders. The dress has a deep V neckline, fitted waist, and broad sleeves and skirt that break into angular scarlet, vermilion, and orange paint shapes. Its bright mass dominates the composition, while small dark strokes indicate seams and folds without meticulous stitching. Her left arm extends toward the lower-left area, where a short glass holding amber liquid catches warm highlights. Her other hand appears to brace against a dark seat or surface at the lower right. Behind her, upright blocks and scattered strokes suggest furniture, walls, and indistinct figures; none forms a fully resolved narrative detail. The left background has ocher vertical accents and pale gray panels, while the right side is darker and more crowded with deep blue-black marks. Light from the upper left and front brightens her face, bare skin, and the saturated dress, leaving the surrounding interior in broken middle tones and selective shadow. Thick, visible brush and palette-knife-like marks alternate with smoother handling around the facial features. The painted surface has scratches and overlaps that keep every color plane lively. No legible writing appears. The overall composition centers a fiery, sharply recognizable figure within a fragmented urban interior, balancing confident warm color against cool gray structure and dark accents.