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#3732

Anthony Thieme style reference and prompts

Explore the “Anthony Thieme” reference with scumbled paint, warm color tones, and sunlit contrasts. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Anthony Thieme style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Anthony Thieme style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
3732
Category
Painting

Reference prompts

Style prompt

Sunlit harbor-style oil painting uses broken, confident strokes to separate bright small accents from weathered large masses. Build water from layered blue-green and dark emerald strokes with vertical fragments of reflected color. Let warm orange and white highlights punctuate cool stone, aged wood, and shadowed hull tones. Close side forms can create a narrowing passage that opens into a hazy, complex distance; this spatial method transfers beyond a harbor. Vary paint handling from thick scumbled edges to smoother dragged reflections. Directional daylight gives lively sparkle while the palette retains working, worn texture.

Full example prompt

A square sunlit harbor oil painting looks down a narrow water channel between worn working buildings and stone quays. In the lower-left foreground, a small white dinghy with a warm orange interior points into the channel, its hull mirrored in softly rippled blue-green water. Farther back near the right wall, a second boat painted turquoise and orange floats alongside a rough wooden landing. A person appears as a small warm-colored figure in or near it. The right building rises directly from a gray-brown stone foundation, its pale blue-gray siding worn, patched, and shadowed under a low roof. On the left, darker sheds and stacked quay walls compress the passage. At the far end, large fishing vessels with white decks and crowded masts sit across a hazy opening to the outer harbor. Several white gulls skim or rest on the water in the lower-right quarter, their bodies bright against deep green reflections. The channel carries fragmented vertical reflections of boats, masonry, sky, and dark hulls. Paint is thick and broken along stone edges and building siding, then dragged in broader horizontal and vertical strokes across the water. Warm sunlight from the upper left catches the small boats and the upper wall, while tight spaces under the wharves remain cool and dark. The composition guides the eye from intimate brightly painted craft through a working inlet toward the larger ships beyond, balancing lively color with weathered coastal texture.