Styles
#4340
Sam Toft style reference and prompts
Explore the “Sam Toft” reference with transparent washes, scratch-like marks, and cool blue-gray tones. View the images, copy the style or example prompt, and discover related styles on Looksift.
Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.
Reference details
- Reference ID
- 4340
- Category
- Painting
Reference prompts
Style prompt
Use whimsical narrative painting with small simplified silhouettes set against broad mottled space. Keep the palette subdued: yellowed olive, ocher, blue-gray, charcoal, and one modest red accent. Build scenery from flat, slightly irregular shapes, then add delicate scratchy ink lines for branches, railings, seams, and edges. Leave generous empty atmosphere around the focal marks so scale and quiet become part of the composition. Apply aged-paper specks, rubbing, and translucent washes without making the surface muddy. Let thin verticals and low horizontal bands create calm rhythm. The effect is gentle, lonely, and faintly humorous, with a hand-drawn storybook quality and understated visual detail.Full example prompt
A square whimsical painting depicts a small figure in a red coat and black top hat walking along a dark stone wall beside a thin black dog. Both are seen in profile from a distance, moving toward the right. The dog sits or pauses upright with an elongated neck, ears pricked, and a narrow snout. Their silhouettes stand out against a wide hazy yellow-green sky. Behind them, two simple blue-gray town buildings rise at different depths. The larger one on the right has a dark roof, small chimneys, several tiny windows with soft yellow light, and a low iron fence. A leafless tree climbs past this house, its fine branches reaching into the upper right. A second lower building sits far left, almost as a flat block. The wall continues from the left toward a short set of steps on the right. Below it, a pale pavement and road form quiet horizontal bands along the bottom edge. The scene has generous empty space and a dreamlike absence of traffic or other pedestrians. Surfaces look rubbed and old, with tiny dark specks, mottled washes, and fine sketchy line work. The palette is muted olive, ocher, smoke blue, charcoal, and one small brick-red coat accent. Flat areas and delicate ink lines coexist; the buildings are simplified but not geometrically sterile. No text or signage appears. The mood is gentle, lonely, and faintly humorous, as if a small everyday walk had been transformed into an illustrated fable.