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#4461

Miroslav Tichy style reference and prompts

Explore the “Miroslav Tichy” reference with scratch-like marks, atmospheric haze, and low contrast. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Miroslav Tichy style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Miroslav Tichy style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
4461
Category
Photography

Reference prompts

Style prompt

Damaged vernacular film photography with cloudy low-contrast exposure, scattered scratches, rubbed corners, emulsion losses, and mottled stains. A compact midtone cluster remains readable within pale haze and dark irregular edges. Diffuse daylight and soft focus evoke a spontaneous private moment. The material age of the paper print is integral to its visual rhythm.

Full example prompt

A square aged black-and-white snapshot shows three young companions sitting close together on a low wall or bench. A dark-haired young man in a worn jacket occupies the left, leaning forward with his hands near his knees. At center, a young woman sits slightly behind him, her pale face partly softened by the damaged print. At right, another young woman in a light blouse and dark skirt leans inward with one hand near her cheek; her crossed legs extend toward the lower center. The trio form a compact intimate group, with shoulders touching and their gazes directed slightly downward or toward the camera. Their surroundings are barely resolved: a pale rough wall and a dark tree or shrub at the far right. The photograph is heavily worn, with scratches, stains, rubbed edges, bright emulsion losses, and a cloudy veil across the upper half. The contrast is low in the background but strong enough in clothing and faces to preserve the arrangement. Soft daylight seems diffuse, with no clear cast shadows. The imperfect framing cuts close to their feet and leaves hazy space above. The picture feels personal and unposed, as though an old pocket print survived repeated handling and environmental damage.