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#4472

Martin Stranka style reference and prompts

Explore the “Martin Stranka” reference with fine grain, negative space, and a nearly monochrome palette. View the images, copy the style or example prompt, and discover related styles on Looksift.

Compare the Qwen Image 2.1 and GPT Image 2.5 examples, choose the visual qualities you want, and copy the style prompt for your own project.

Martin Stranka style reference and prompts — Qwen Image 2.1Qwen Image 2.1
Martin Stranka style reference and prompts — GPT Image 2.5GPT Image 2.5

Reference details

Reference ID
4472
Category
Photography

Reference prompts

Style prompt

Use minimalist surreal photography built from immense pale atmospheric negative space and two or three small dark anchors near the bottom. Let thick fog erase the horizon and gradually soften every distant contour. Keep the palette nearly monochrome in cream, green-gray, charcoal, and faint cool blue. Apply gentle vignetting and fine grain to give the empty field depth without inserting detail. Place the small focal forms apart so scale and relationship remain quietly ambiguous. Lighting is diffuse and shadowless. The composition should feel still, meditative, and uncanny, deriving its tension from distance, disproportion, and what the mist conceals.

Full example prompt

A square minimal surreal photograph shows an almost empty field submerged in thick pale fog. At the lower center-left stands a very small dark human figure, seen from behind and facing into the mist. A short distance to the right, a larger stag stands as a softened charcoal silhouette. Its broad antlers rise above its head like delicate branching lines, and its four legs fade into the hazy ground. The ground itself is only a dark narrow band across the bottom quarter, with faint rough grass and small irregular shadows. Above it, a vast cream-to-gray fog field occupies most of the frame, carrying no discernible horizon, tree, building, or sky detail. Slight vignetting darkens the upper corners and lower edges, drawing attention toward the two separated forms. The stag appears strangely oversized beside the person, though the lack of depth cues keeps their exact relation uncertain. The light is diffuse and directionless, so neither form casts a defined shadow. Colors are almost monochrome: greenish gray, muted cream, soft charcoal, and an occasional cool blue tint in the darker ground. Fine photographic grain gives the smooth fog a subtle material presence. The composition leaves an enormous amount of negative space above the figures, making silence and distance feel physical. There is no action, text, or obvious narrative explanation. The mood is meditative and uncanny, as though a quiet encounter were suspended at the edge between familiar landscape and dream.