Layouts
#L2660
collage poster design — Close-Up, Collage, Group
L2660 · collage poster design — Close-Up, Collage, Group. Explore the reference image and prompt, then open this composition in the layout tool.

Reference details
- Layout ID
- L2660
Reference prompts
Layout reference prompt
An illustrated movie poster in a dense hand-painted collage style centers on a chaotic wartime attack on a city, framed by broad black bands above and below. The top third of the frame is empty black, the upper-left and upper-right corners holding nothing but darkness, and the bottom third is empty black except for the title. Across the middle of the frame, a panoramic painted battle scene unfolds: a city boulevard under aerial attack beneath a sky dominated by a huge red sun with radiating white and orange rays. In the upper-left of the scene, a silver fighter plane with a shark-mouth nose dives toward the viewer, gunfire flashing from its wings, a white star insignia on its fuselage. Explosions bloom across the scene in orange and yellow fireballs, with thick black smoke columns rising on the right side of the frame. On the left side of the scene, an ornate pagoda-style theater front crumbles, its marquee advertising an animated film in small letters, while crowds of tiny painted figures flee in panic below. At the center of the scene, a distant hillside sign in white block letters sits on the horizon between burning buildings. On the right side of the scene, tall buildings burn, one bearing a rooftop hotel sign, small parachutes drifting down past the facades. In the lower-left of the scene, soldiers and sailors with rifles push through the panicking crowd, their faces caricatured in alarm. On the right edge of the frame, a large close-up of an adult pilot in a leather flight helmet and goggles fills the cockpit foreground, a cigar clenched between his teeth, his eyes wide, his gloved hand on the controls. The cockpit canopy frames him from the right, glass panels and metal struts crossing the corner. Across the lower third of the frame, the film title stands in colossal three-dimensional block numerals reading "TITLE", their concrete surfaces cracked and weathered, lit from above against the black ground. The lighting is theatrical and high-contrast, the painted explosions casting hot orange highlights across the tiny figures and buildings while the black bands above and below swallow all detail. Overall, the composition balances the empty black voids above and below against the single packed band of painted chaos in the middle, the palette of black, fire orange, blood red, concrete gray, and steel silver, the style a hyper-detailed hand-painted disaster collage, and the mood frantic, bombastic, and darkly comic.