minimalist poster design — Multi-line title, with stacked lines and symmetrical composition

A photographic movie poster captures a quiet suburban street at night, framed by black tree silhouettes and washed in the red and blue glow of distant emergency lights, with a stark white "TITLE" at the center. The background is a deep teal night sky, nearly black at the top and softening to dusky blue-gray near the horizon. On the left side of the frame, a dense black tree canopy fills the upper corner, its lower leaves stained blood-red by an unseen emergency light. On the right side of the frame, a second dark tree mass mirrors it, its foliage tinged electric blue by the same distant lights. In the lower-left corner, a lone street lamp burns warm orange beside a parked white car, its glow diffused into a soft halo by the night haze, long shadows stretching from the lamp across the pavement. The lamp's orange glow catches the white car's roof and windshield, leaving the rest of its body in darkness. Near the center of the frame, a dark SUV sits in a driveway in front of a low, shadowed house with a pale roofline barely visible against the trees. The "TITLE" appears in clean white sans-serif capitals on three stacked lines across the center-left, glowing faintly against the dark foliage. The letters are evenly spaced and modest in size, occupying only the middle band of the frame. The foreground is a broad expanse of dark lawn, its grass texture fading into near-blackness at the bottom edge of the frame, meeting a dark curb and a narrow strip of asphalt at the far left. A faint haze hangs in the air, softening the distant lights. Where the two glows meet on the middle branches, the red and blue tints overlap into a bruised purple. No people are visible anywhere in the scene; no windows glow, and the street feels watched but empty. The lighting is minimal and ominous: the only sources are the warm street lamp, the red-and-blue emergency glow bleeding across the leaves, and faint ambient skylight, leaving most of the frame in heavy shadow. The palette is cold and restrained: deep teal, ink black, and asphalt gray, pierced by alarming red, cool blue, and a single warm orange lamp. Overall, the symmetrical tree framing and vast negative space form a hushed, voyeuristic balance in a naturalistic night-photography style whose dark teal palette feels tense, lonely, and quietly menacing.