ensemble poster design — Oversized title in high contrast, frame within frame

A cinematic movie poster shows a towering tsunami wave curling over a modern city skyline, rendered in deep teal and cold blue tones beneath a band of bright white sky. In the upper-left quadrant, the giant wall of water rises and curls inward, its surface streaked with white foam and dark blue-green texture. Across the upper center, a cluster of skyscrapers stands amid the wave, including one exceptionally tall slender needle-like tower reaching toward the top edge of the frame. The needle tower's glass facade catches cold white highlights along its vertical ribs. On the right side of the upper section, the sky blows out into near-white overexposed brightness behind a leaning tower and a smaller dome-topped building. In the upper-right corner, tiny dark specks of debris drift against the glare of the blown-out sky. White spray and scattered dark debris burst from the base of the central tower where the water crashes. A smaller dark building beside the central tower appears half-collapsed, its fragments thrown into the foam. A thin bright waterline cuts horizontally across the middle of the poster, separating the curling wave from a deep teal-blue band. Across this middle band, a large bold red uppercase title reading "TITLE" stretches from edge to edge in wide letter spacing. The red letters are heavy and blocky, floating over the teal water with strong contrast. Beneath the title, five small square headshot portraits of adults stand in a horizontal row, each framed by a thin glowing white border. From left to right, the portraits show a middle-aged bearded adult man, an adult man with dark hair, a blonde adult woman, an older bald adult man in a suit, and a gray-haired adult man in a suit. Behind the portraits, the blue band fades into a darker underwater zone where a shadowy skyline of tall buildings sinks into deep blue-black water. On the left side of the lower section, dark silhouettes of high-rise towers rise through the murky blue. In the lower center, the submerged buildings grow denser and darker toward the bottom edge. Across the very bottom, a thin block of small white billing text sits too small to read. The lighting is dramatic and high-contrast: cold daylight blasts in from the upper right, throwing white highlights across the foam and glass facades, while the underwater lower third falls into deep shadow. Overall, the composition balances the massive curling wave of the upper half against the heavy submerged skyline below, united by a palette of deep teal, cold blue, and near-black with a single red title accent, rendered in glossy photorealistic disaster-movie style with a mood of overwhelming catastrophic scale.