collage poster design — Oversized title, two figures, diagonal

A photorealistic action movie poster collages three armed figures in tight profile against a teal-tinted coastal cityscape cut by diagonal beams of pale light. The background is a hazy teal-green panorama of a waterfront city, its low buildings and a wide bay stretching across the middle distance beneath a pale cloudy sky. In the upper portion, two broad diagonal ribbons of white-gold light slash from the upper-left toward the right, like sunbeams through smoke. In the lower-left and center, dark silhouetted high-rise towers anchor the city view beneath the figures. Dominating the right half of the frame, a bearded adult man in his twenties in strict profile faces right, his short dark curly hair and full beard rendered in warm detail, his eyes narrowed with focus. He wears an olive-green and brown plaid flannel shirt with the collar open, the fabric folds catching soft highlights. His arms extend forward, both hands gripping a matte black pistol aimed to the right, the barrel slightly raised, the slide and trigger guard in sharp focus. Behind him and to the left, a adult woman in her twenties with dark hair pulled into a tight bun mirrors his aim, her face streaked with blood and dust, her mouth set in a hard line. She wears a muted sage-green short-sleeved t-shirt, and around her upper left arm sits a bright orange armband printed with the black word "POLICE" above a smaller line of characters too small to read. In the upper-left background, a middle-aged man with a shaved head, dark sunglasses, and a short beard looms slightly out of focus, wearing a camouflage-patterned tactical jacket. Across the lower third, a massive white "TITLE" in rough distressed block capitals spans the frame, reading as two large letters followed by a period, with dried-blood-red splatter staining the first letter and speckling the second. In the lower-right corner, diagonal streaks of dark metal, likely bridge cables or railings, cross the city view at a sharp angle. Along the left edge, the woman's extended arms lead the eye from the frame's border toward the gun at center-right. At the top-right corner, the sky brightens to near-white behind the man's profile, forming a pale halo around his silhouette. The lighting is a moody, diffused daylight from the upper right, soft and slightly hazy, with warm highlights on the man's face and the pistol's edges while deep teal shadows settle across the city below, and a thin rim of pale light traces both profiles. In the center of the frame, the two profiles overlap, the woman's face in front and the man's larger head behind, their gazes aligned toward the right. Small flecks of dust hang in the light beams, barely visible. The title's rough texture and red splatter give the bottom of the poster a raw, street-painted feel. The orange armband is the single warm accent on the woman's otherwise muted figure, its black lettering crisp and legible. Overall, the composition balances two stacked forward-leaning profiles against the diagonal sweep of the cityscape in a gritty photorealistic style, the palette of desaturated teal, charcoal, and warm skin tones broken by the orange armband and red splatter to build a mood of tense, street-level confrontation.