collage poster design — Top title in duotone, centered composition

A 1960s minimalist western collage poster dominated by a giant burnt-orange duotone portrait head of an adult man, centered on a flat cream-beige background. Across the top edge, from the upper-left corner to the upper-right corner, a four-line headline in bold red and black sans-serif capitals with tight leading reads as the film's tagline, rendered as "TITLE". At the center of the composition, the enormous duotone head fills the middle of the frame, the adult man's stern face rendered in black ink over burnt-orange tones, his eyes narrowed and unsmiling. The ink work is rough and posterized, with heavy blacks in the hair and shadowed cheek. In the upper-right area, a small painted vignette shows an adult woman with auburn hair beside an adult man in a dark fedora, both looking toward the viewer. The vignette figures are rendered in muted naturalistic color against the flat background. On the left edge, a small painted scene shows a blond adult woman embracing an adult man in a light hat, set against green foliage. Across the lower third, a horizontal strip of small painted figures runs beneath the portrait, an adult cowboy with a rifle standing at the left, crouching and crawling adult figures in the middle, and a prone adult man near a rocky outcrop at the right. A gnarled tree branch and pale rocks frame the right end of the strip. In the lower-left corner, the adult cowboy with a rifle anchors the left end of the figure strip. In the lower-right corner, a painted adult man in a vest and rolled sleeves sits leaning against a rock, holding a rifle across his knees. Below the figure strip, centered near the bottom, rows of small black type present cast and crew credits as "ACTOR NAME" and "TAGLINE" lines, with a small boxed word in red and black reading "TITLE" at the right end of the cast row. The credit type uses a mix of bold and light weights in centered rows. A tiny line of micro-type runs along the very bottom edge, too small to read. The lighting is flat and even across the whole sheet, like a printed page in daylight, with no cast shadows, the duotone portrait carrying its own internal modeling in the orange and black inks. The composition holds the giant head at the center with headline above and vignettes and credits orbiting it in a loose collage, the palette of cream, burnt orange, red, and black, in a bold 1960s graphic lithograph style with a stark and confrontational mood.