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#L2482

minimalist poster design — Diagonal, Extreme Close-Up

L2482 · minimalist poster design — Diagonal, Extreme Close-Up. Explore the reference image and prompt, then open this composition in the layout tool.

L2482 · Diagonal, Extreme Close-Up

Reference details

Layout ID
L2482

Reference prompts

Layout reference prompt

A minimalist horror movie poster is rendered in grainy grayscale with a single muted red accent. The upper two-thirds of the frame show a scratched, foggy gray texture like aged film or frosted glass. In the upper-left corner of the frame, faint diagonal scratches cross the gray haze. In the right-center of the frame, a distressed stencil "TITLE" in dull dark-red uppercase letters sits half-buried in the gray haze. Along the right edge of the frame, a cluster of dark ink-sketched rats crawls downward, their tails and claws overlapping the final letters of the title. Across the middle of the frame, a blurred dark skyline of industrial rooftops, chimneys, and towers stretches horizontally in soft black silhouette. At the far left of the skyline, a tall thin chimney rises above the rooftops. A dark horizontal band of ground or water separates the skyline from the lower section. Across the lower third of the frame, an extreme close-up of a typewriter shows a metal ruler with engraved numbers "40", "50", and "60" along its top edge. On the white paper below the ruler, two lines of typewritten text appear to read "Kommisæren & I...eren" and "Scene 1", the first line partially covered by a dark triangular paper guide. In the upper-right corner, a faint dark smudge floats like a distant cloud. The gray texture shows fine horizontal scratches and darker blotches like water stains. The rats are rendered in loose black ink strokes, their whiskers and tails suggested in a few quick lines. The ruler's engraved ticks are sharp and evenly spaced, with larger numerals marking each decade. The white paper curls slightly at its lower edge, catching a soft highlight. The skyline's towers are softened by haze, their edges dissolving into the gray. The transition from gray haze to dark skyline is gradual, with no hard edge. The lighting is flat and overcast, with heavy film grain, scratches, and vignetting darkening the edges. The stark documentary-collage style confines a cold gray and single oxblood-red palette to an empty central void ringed by ominous edge details, creating a bleak, clinical mood of quiet contagion.